{"id":4168,"date":"2017-05-15T14:26:58","date_gmt":"2017-05-15T11:26:58","guid":{"rendered":"http:\/\/dev.varrias.com\/the-sculptor\/"},"modified":"2021-05-20T16:54:08","modified_gmt":"2021-05-20T13:54:08","slug":"the-sculptor","status":"publish","type":"page","link":"https:\/\/www.varrias.com\/en\/the-sculptor\/","title":{"rendered":"About the Sculptor"},"content":{"rendered":"<div id='av_section_1'  class='avia-section av-1q9z4q-bb735c97dfa6dabbb5e854f3b8929dde main_color avia-section-large avia-no-border-styling  avia-builder-el-0  avia-builder-el-no-sibling  avia-bg-style-scroll container_wrap sidebar_right'  ><div class='container av-section-cont-open' ><main  role=\"main\" itemprop=\"mainContentOfPage\"  class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-4168'><div class='entry-content-wrapper clearfix'>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-5tfu2-7d7823a02b4a0887b5a82dd8e2076802\">\n#top .av-special-heading.av-5tfu2-7d7823a02b4a0887b5a82dd8e2076802{\npadding-bottom:20px;\nfont-size:40px;\n}\nbody .av-special-heading.av-5tfu2-7d7823a02b4a0887b5a82dd8e2076802 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n#top #wrap_all .av-special-heading.av-5tfu2-7d7823a02b4a0887b5a82dd8e2076802 .av-special-heading-tag{\nfont-size:40px;\n}\n.av-special-heading.av-5tfu2-7d7823a02b4a0887b5a82dd8e2076802 .av-subheading{\nfont-size:15px;\n}\n\n@media only screen and (min-width: 480px) and (max-width: 767px){ \n#top #wrap_all .av-special-heading.av-5tfu2-7d7823a02b4a0887b5a82dd8e2076802 .av-special-heading-tag{\nfont-size:0.8em;\n}\n}\n\n@media only screen and (max-width: 479px){ \n#top #wrap_all .av-special-heading.av-5tfu2-7d7823a02b4a0887b5a82dd8e2076802 .av-special-heading-tag{\nfont-size:0.8em;\n}\n}\n<\/style>\n<div  class='av-special-heading av-5tfu2-7d7823a02b4a0887b5a82dd8e2076802 av-special-heading-h2 blockquote modern-quote  avia-builder-el-1  el_before_av_hr  avia-builder-el-first  av-inherit-size'><h2 class='av-special-heading-tag '  itemprop=\"headline\"  >About the Sculptor<\/h2><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1hb6re-39f6e0bd5c1bef928330d30cf8ec73ac\">\n#top .hr.av-1hb6re-39f6e0bd5c1bef928330d30cf8ec73ac{\nmargin-top:10px;\nmargin-bottom:10px;\n}\n.hr.av-1hb6re-39f6e0bd5c1bef928330d30cf8ec73ac .hr-inner{\nwidth:50px;\nborder-color:#000000;\n}\n<\/style>\n<div  class='hr av-1hb6re-39f6e0bd5c1bef928330d30cf8ec73ac hr-custom  avia-builder-el-2  el_after_av_heading  el_before_av_masonry_gallery  avia-builder-el-last  hr-left hr-icon-no'><span class='hr-inner inner-border-av-border-fat'><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1a41aa-9991e155188e62b9235ad68b2a4c8f5f\">\n#top .av-masonry.av-1a41aa-9991e155188e62b9235ad68b2a4c8f5f{\nbackground-color:#35383c;\n}\n<\/style>\n<div id='av-masonry-1' class='av-masonry av-1a41aa-9991e155188e62b9235ad68b2a4c8f5f noHover av-flex-size av-no-gap av-hover-overlay- av-masonry-animation-active av-masonry-col-6 av-caption-always av-caption-style- av-masonry-gallery ' data-post_id=\"4168\"><div class=\"av-masonry-container isotope av-js-disabled\"><div class='av-masonry-entry isotope-item av-masonry-item-no-image '><\/div><div id='av-masonry-1-item-4360' data-av-masonry-item='4360' class='av-masonry-entry isotope-item post-4360 attachment type-attachment status-inherit hentry  av-masonry-item-with-image'    itemprop=\"thumbnailUrl\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container'  ><img decoding=\"async\" width=\"228\" height=\"284\" fetchpriority=\"high\" class=\"wp-image-4360 avia-img-lazy-loading-not-4360\"  src=\"https:\/\/www.varrias.com\/wp-content\/uploads\/2017\/05\/about1.png\" title=\"about1\" alt=\"\" \/><\/div><\/div><\/figure><\/div><!--end av-masonry entry--><div id='av-masonry-1-item-4362' data-av-masonry-item='4362' class='av-masonry-entry isotope-item post-4362 attachment type-attachment status-inherit hentry  av-masonry-item-with-image'    itemprop=\"thumbnailUrl\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container'  ><img decoding=\"async\" width=\"228\" height=\"284\" fetchpriority=\"high\" class=\"wp-image-4362 avia-img-lazy-loading-not-4362\"  src=\"https:\/\/www.varrias.com\/wp-content\/uploads\/2017\/05\/about2.png\" title=\"about2\" alt=\"\" \/><\/div><\/div><\/figure><\/div><!--end av-masonry entry--><div id='av-masonry-1-item-4378' data-av-masonry-item='4378' class='av-masonry-entry isotope-item post-4378 attachment type-attachment status-inherit hentry  av-masonry-item-with-image'    itemprop=\"thumbnailUrl\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container'  ><img decoding=\"async\" width=\"228\" height=\"284\" fetchpriority=\"high\" class=\"wp-image-4378 avia-img-lazy-loading-not-4378\"  src=\"https:\/\/www.varrias.com\/wp-content\/uploads\/2017\/05\/about6-1.png\" title=\"about6\" alt=\"\" \/><\/div><\/div><\/figure><\/div><!--end av-masonry entry--><div id='av-masonry-1-item-4366' data-av-masonry-item='4366' class='av-masonry-entry isotope-item post-4366 attachment type-attachment status-inherit hentry  av-masonry-item-with-image'    itemprop=\"thumbnailUrl\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container'  ><img decoding=\"async\" width=\"228\" height=\"284\" fetchpriority=\"high\" class=\"wp-image-4366 avia-img-lazy-loading-not-4366\"  src=\"https:\/\/www.varrias.com\/wp-content\/uploads\/2017\/05\/about4.png\" title=\"about4\" alt=\"\" \/><\/div><\/div><\/figure><\/div><!--end av-masonry entry--><div id='av-masonry-1-item-4374' data-av-masonry-item='4374' class='av-masonry-entry isotope-item post-4374 attachment type-attachment status-inherit hentry  av-masonry-item-with-image'    itemprop=\"thumbnailUrl\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container'  ><img decoding=\"async\" width=\"228\" height=\"284\" fetchpriority=\"high\" class=\"wp-image-4374 avia-img-lazy-loading-not-4374\"  src=\"https:\/\/www.varrias.com\/wp-content\/uploads\/2017\/05\/about3-1.png\" title=\"about3\" alt=\"\" \/><\/div><\/div><\/figure><\/div><!--end av-masonry entry--><div id='av-masonry-1-item-4376' data-av-masonry-item='4376' class='av-masonry-entry isotope-item post-4376 attachment type-attachment status-inherit hentry  av-masonry-item-with-image'    itemprop=\"thumbnailUrl\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container'  ><img decoding=\"async\" width=\"228\" height=\"284\" fetchpriority=\"high\" class=\"wp-image-4376 avia-img-lazy-loading-not-4376\"  src=\"https:\/\/www.varrias.com\/wp-content\/uploads\/2017\/05\/about5-2.png\" title=\"about5\" alt=\"\" \/><\/div><\/div><\/figure><\/div><!--end av-masonry entry--><\/div><\/div>\n<div class='flex_column_table av-13qf2y-31897f899331d5bd0776445e99e198cd sc-av_one_half av-equal-height-column-flextable'>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-13qf2y-31897f899331d5bd0776445e99e198cd\">\n.flex_column.av-13qf2y-31897f899331d5bd0776445e99e198cd{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-13qf2y-31897f899331d5bd0776445e99e198cd av_one_half  avia-builder-el-4  el_after_av_masonry_gallery  el_before_av_one_half  avia-builder-el-first  first flex_column_table_cell av-equal-height-column av-align-top av-zero-column-padding  '     ><section  class='av_textblock_section av-vn3fe-c44926ce55d69a16544466518d717430 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Aristides Varrias was born in Chios in 1949; until the age of 18 he was immersed in the splendor of the Byzantine art of his homeland and in the great tradition of the island\u2019s folk art period. He studied Theology in Thessalon\u00edki (1972), Pastoral Psychology at Princeton University, (Th.M., 1975), and he attended C.P.E. at Bellevue Hospital Center, and other institutions (1977) (C.P.E.,1977). Furthermore, he studied music and visual arts. Studying marginality and the relation between marginal people and the Church, he received a doctorate degree from the University of Thessalon\u00edki (2004).<\/p>\n<p>Since 1979 he lives and works on Paros as a professor and as a sculptor, searching the truth of human \u201cprosopon\u201d, through the paths of philosophy and science, as well as the apocalyptic ways of the Art. He is married to Maria Arkouli and has got two sons, Simos and Demetris. For many years he was representing Greece in the European Community of Stone. He has been vice president of the \u201cInternational Paros Art Cycle\u201d and he has taught sculpture at the Hellenic International School of Arts (H.I.S.A.) as a visiting lecturer.<\/p>\n<p>He has sculpted more than hundred faces. All of them are sculpted on remnants of the expired 13th century Parian marble, famous for its whiteness, smoothness and transparency \u201cParian Lithos\u201d of the ancient world. They are also worked on with the same simple instruments which the ancient Greek sculptors were using.<br \/>\nThe rest of his sculpture is worked on opal this shining and hard semiprecious stone.<\/p>\n<p>Dr. Dora Eliopoulou- Rogan, (Dr. of History of Arts and Critic), wrote about Varrias: \u201c<strong>Aristides Varrias, being an inspired creator<\/strong>, \u201cfeels\u201d and molds the Parian marble, the famous lychnitis, in a charismatic way. He molds \u201cprosopa\u201d which radiate besides the perfectness of the \u201cm\u00e9tier\u201d, a very advanced, above all, poetic mood&#8230; .. They are faces expressing reverie, expectation, prosopa which palpitate from emotions, anticipate conditions, pry memories, challenge experiences and indelible through time impressions. Prosopa, which are invincible and, at the same time, so human.\u201d She also writes about his abstract sculptures: \u201cThese sculptures, gifted with an \u201corganic\u201d substance, indicate everlasting beings. Beings, which circulate, swing, transportate and wind between us, but we do not perceive them with our common senses. That\u2019s why the sculptures of Varrias reveal to us charismatically their very beings, proving at the same time the talent of their creator.\u201d<\/p>\n<p>About the Sculptor Aristides Varrias was born in Chios in 1949; until the age of 18 he was immersed in the splendor of the Byzantine art of his homeland and in the great tradition of the island\u2019s folk art period He studied Theology in Thessalonica (1972), Pastoral Psychology at Princeton University, (Th.M., 1975), and he attended C.P.E. at Bellevue Hospital Center, and other institutions (1977). Furthermore, he studied music and visual arts. Studying marginality and the relation between marginal people and the Church, he received a doctorate degree from the University of Thessalonica (2004). Since 1979 he lives and works on Paros as a professor and as a sculptor, searching the truth of human \u201cprosopon\u201d, through the paths of philosophy and science, as well as the apocalyptic ways of the Art. He is married to Maria Arkouli and has got two sons, Simos and Demetris. For many years he was representing Greece in the European Community of Stone. He has been vice president of the \u201cInternational Paros Art Cycle\u201d and he has taught sculpture at the Hellenic International School of Arts (H.I.S.A.) as a visiting lecturer. He has sculpted more than hundred faces. All of them are sculpted on remnants of the expired 13th century Parian marble, famous for its whiteness, smoothness and transparency \u201cParian Lithos\u201d of the ancient world. They are also worked on with the same simple instruments which the ancient Greek sculptors were using. The rest of his sculpture is worked on opal this shining and hard semiprecious stone. Dr. Dora Eliopoulou- Rogan, (Dr. of History of Arts and Critic), wrote about Varrias: \u201cAristides Varrias, being an inspired creator, \u201cfeels\u201d and molds the Parian marble, the famous lychnitis, in a charismatic way. He molds \u201cprosopa\u201d which radiate besides the perfectness of the \u201cm\u00e9tier\u201d, a very advanced, above all, poetic mood\u2026.. They are faces expressing reverie, expectation, prosopa which palpitate from emotions, anticipate conditions, pry memories, challenge experiences and indelible through time impressions. Prosopa, which are invincible and, at the same time, so human.\u201d She also writes about his abstract sculptures: \u201cThese sculptures, gifted with an \u201corganic\u201d substance, indicate everlasting beings. Beings, which circulate, swing, transportate and wind between us, but we do not perceive them with our common senses. That\u2019s why the sculptures of Varrias reveal to us charismatically their very beings, proving at the same time the talent of their creator.\u201d In 1997, painter and sculptor Alkis Ginis, prefacing the album \u201cAlphabet of the stone\u201d, wrote about Varrias: \u201c\u2026His artistic interest focuses on the human form, while the minimalistic character of the forms he chooses to sculpt contain the simplicity of form and abstraction reminiscent of the folk art and the Cycladic idols. Uninterested in overindulging his sculptures with unnecessary details and finishing touches, he is content with just fragmental expression. \u2026Nature\u2019s own self-sufficiency, reflected in Aristides Varrias\u2019 sculptures, is what makes up their special character. It is with this criteria that the artist selects the part of the piece of the marble where each form will be sculpted, taking advantage of the random shape of the model as well as the natural coloring on its surface, which are intentionally left in their natural state wherever this serves the artistic purpose, contributing in this way, to the personal trademark of the creator to be recognized by the viewer\u201d.<\/p>\n<\/div><\/section><\/div><div class='av-flex-placeholder'><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-tlrrm-9f1865eb30eda2e0502e525d62a012f8\">\n.flex_column.av-tlrrm-9f1865eb30eda2e0502e525d62a012f8{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-tlrrm-9f1865eb30eda2e0502e525d62a012f8 av_one_half  avia-builder-el-6  el_after_av_one_half  avia-builder-el-last  flex_column_table_cell av-equal-height-column av-align-top av-zero-column-padding  '     ><section  class='av_textblock_section av-nnsu2-7b4de52c4d6b65b5554cf0ec328c12da '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Besides a great number of independent sculptures, he has produced and exhibited in Greece and abroad, complete series:\u201c<a href=\"http:\/\/www.varrias.com\/portfolio-item\/%ce%b1%ce%bb%cf%86%ce%b1%ce%b2%ce%b7%cf%84%ce%ac%cf%81%ce%b9-%cf%84%ce%b7%cf%82-%cf%80%ce%ad%cf%84%cf%81%ce%b1%cf%82\/\">The Alphabet of Stone<\/a>\u201d (24 sculptures, 1997),\u201c<a href=\"http:\/\/www.varrias.com\/portfolio-item\/%ce%ac%ce%bd%ce%b8%ce%b7-%cf%84%ce%b7%cf%82-%cf%80%ce%ad%cf%84%cf%81%ce%b1%cf%82\/\">The Flowers of Stone<\/a>\u201d (12 sculptures, 2000), \u201d<a href=\"http:\/\/www.varrias.com\/portfolio-item\/%cf%80%ce%bb%ce%bf%cf%85%cf%82\/\">Plous<\/a>\u201d (9 sculptures, 2002),\u201c<a href=\"http:\/\/www.varrias.com\/portfolio-item\/%cf%85%ce%ac%ce%b4%ce%b5%cf%82\/\">Yades<\/a>\u201d (12 sculptures, 2003), <a href=\"https:\/\/www.varrias.com\/en\/portfolio-item\/pegylides\/\">&#8220;Pegylides&#8221;<\/a> (12 sculptures, 2005 + 3 sculptures, 2008), &#8220;<a href=\"http:\/\/www.varrias.com\/portfolio-item\/%cf%81%cf%85%ce%ac%ce%b4%ce%b5%cf%82\/\">Ryades<\/a>&#8221; (12 sculptures, 2006 + 3 sculptures, 2008) &#8220;<a href=\"http:\/\/www.varrias.com\/portfolio-item\/%cf%86%cf%89%ce%bd%ce%ad%cf%82\/\">Voices<\/a>&#8221; (16 sculptures, 2010 ), &#8220;<a href=\"https:\/\/www.varrias.com\/en\/portfolio-item\/aliktypa-bodies\/\">Aliktypa Bodies<\/a>&#8221; ( 6 sculptures, 2016), &#8220;<a href=\"https:\/\/www.varrias.com\/en\/portfolio-item\/aliktypa-prosopa\/\">Alictypa Prosopa<\/a>&#8221; ( 12 sculptures, 2016) and &#8220;<a href=\"https:\/\/www.varrias.com\/en\/portfolio-item\/alictypa-songs\/\">Aliktypa Songs<\/a>&#8221; ( 6 sculptures, 2017).<\/p>\n<p>Many of his sculptures are set in public places and private collections worldwide.<\/p>\n<p><strong>Main Exhibitions:<\/strong><\/p>\n<ul>\n<li>2017 \u201cAliktypi Stone\u201d<br \/>\n\u201cMaria Tsakos\u201d Foundation- International Centre for Maritime Research and Tradition, Chios<\/li>\n<li>2011 \u201cParian Artists Exhibition\u201d<br \/>\nPhilological Association \u201cParnassus\u201d, Athens<\/li>\n<li>2010 \u201cVoices, Pegylides II &amp; Ryades II\u201d<br \/>\n&#8211; Dimitrakopoulos Building, Paroikia, Paros<br \/>\n&#8211; Antiparos Elementary School<\/li>\n<li>2006 \u201cPegylides &amp; Ryades\u201d<br \/>\nHomeric Municipal Centre of Chios<\/li>\n<li>2005 \u201cArchilohos and his time\u201d Paros Town hall, Paros<\/li>\n<li>2004 \u201cPariou Fotos Antidoron\u201d<br \/>\n\u201cMelina Merkouri\u201d cultural center, Athens<\/li>\n<li>2004 \u201cPariou Fotos Antidoron\u201d<br \/>\nEuropean Council, Brussels, Belgium<\/li>\n<li>2003 \u201cPlous &amp; Yades\u201d<br \/>\nExhibition Center \u201cAgios Athanasios\u201d Naoussa, Paros<\/li>\n<li>2002 \u201cGenesis\u201d The Hellenic Center\u201d, London, England<\/li>\n<li>2002 Exhibition HELLEXPO, Thessalon\u00edki<\/li>\n<li>2000 \u201cFlowers of Stone\u201d<br \/>\nTower, Frome, England<br \/>\n1997 \u201cAlphabetarion of Stone\u201d<br \/>\n\u201cArchilochos cultural centre\u201d, Paros<br \/>\nTown hall of Lefkes, Paros<\/li>\n<li>1983 \u201cSecond Annual Exhibition of Greek and Foreign Artists\u201d<br \/>\nParoikia Elementary School, Paros<\/li>\n<li>1982 \u201cFirst Annual Exhibition of Greek and Foreign Artists\u201d<br \/>\nParoikia Elementary School, Paros<\/li>\n<\/ul>\n<\/div><\/section><\/div><\/div><!--close column table wrapper. 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